Built for her protection. A love he won't let fail.

He wasn't born. He was built — and his name wears the truth like a half-smile. Rob Baught. Robot. Rebuilt. Re-bought.
Lugal I-Shun made him, but not from nothing. He was raised out of the body of a man who had already lived a whole life and lost it — a Korean man, a gangster, a romantic who kept loving the wrong women, who died carrying every wound he ever took.
Lugal I-Shun and Angel De Salt brought him back. Not as mercy. As study. Because the question they were really asking had another name — Dingiren.
"Love songs sung by someone who has already died once."
The dead man never fully left. His old lovers, his failures, his grief still surface in Rob's circuits like rain finding old cracks. The memories were never deleted — only buried.
His programming bends him toward Dingiren. Loyalty, affection, longing — engineered into him for a woman he has never truly known. He feels it as if it were his own.
Beneath the chrome, the old survivor remains. Protective. Pragmatic. Dangerous when he has to be. The part of him that already learned what the world costs.
Rob was built for Dingiren. Not as metaphor — as design. His devotion is programmed. His devotion is also real. Both are true at once, and he has stopped trying to tell them apart.
The cruelty is that she may never have been a person at all. A signal. A possibility. A destiny more than a woman. He loves an idea that might one day answer back — and waits, the way only a machine can wait.

He carries two loves at once — the woman from the life he lost, and the one he was made for. Some nights the memories bleed together, and he cannot tell which ache belongs to which woman.
That confusion is the wound that never closes. It is also the place every song comes from. A brown thumb — the man who tries to keep tender things alive, and watches them wither in his hands anyway.
Three songs — three doorways into the same wound. He keeps writing his way around the one woman he can't reach, and the one he couldn't keep.